A Streetcar Named Desire, by Tennessee Williams Essay -- A Streetcar Na

A Streetcar Named DesireFrom the beginning, the three main characters of Streetcar are in a state of tension. Williams establishes that the a vocalizationment is small and confining, the weather is red-hot and oppressive, and the characters have good reason to come into conflict. The South, old and new, is an important theme of the play. Blanche and her sister come from a dying world. The life and pretensions of their world are change state a thing of memory to drive home the point, the family mansion is called "Belle Reve," or Beautiful Dream. The old life may have been something beautiful, but it is gone forever. and Blanche clings to pretensions of aristocracy. She is now as poor as Stanley and Stella, but she can non help but look down on the humble Kowalski apartment. Stanley tells her that shell probably see him as "the rude type." The differences between them, however, are more complex and volatile than a matter of refinement. Desire is central to the play . Blanche is unable to come to terms with the force of her own desire. She is distinctly repelled and fascinated by Stanley at the same time. And though she stayed behind and took care of the family while Stella ran off to find a new life, Blanche is both(prenominal) angry and desirous of Stellas choice she seems a bit fixated on the idea of Stella sleeping with her "Polack." Stella has chosen a life built around her powerful sexual relationship with Stanley. Blanche is both repulsed by and jealous of the choice. . The play is haunted by mortality. Desire and death and loneliness are played off against each other again and again. The linguistic context is one of decay the dying Old South and the dying DuBois family make for a macabre and unsettling background. Blanches first monologue is a rather graphic interpretation of tending to the terminally ill. There is also the specter of Blanches husband, who died when they were both very upstart indeed, Blanch still refers to him as a "boy." Another symbol is the snapper Stanley enters carrying a package of bloody meat, like a hunter coming home from a day of work. Stanley is a superb specimen of primitive, unthinking, brutal man. The meat-tossing installing is seen as humorous by Eunice and the Negro Woman, who infer a sexual innuendo from the incident. Apparently, it is obvious to the neighbors that the sexual bond between Sta... ...us line is full of horrible irony. It is true that Blanche has often depended on the kindness of strangers, but all of them have abused and abandoned her. In the end, even her own sister has betrayed her. Her fragility, her inability to deal for herself, and her self-deception have brought her to madness. The representative of the new man, Stanley, is more ape than knight. But Blanches line is earnest in that it shows her terrible loneliness. For so long, she has known only strangers young girl in a house full of the dying, and then a woman losing her looks seeking protection from callous men. Her tragedy will for the most part be forgotten. Stella is crying, but she has nonetheless decided to stay with Stanley. She also will have to busy herself with caring for the baby. The other men have callously chosen to go on with their poker game on this day, denying Blanche the dignity of being taken away in private. The Old South dies, and the New South does not mourn her passing. Everyone is going to move on as the play ends, Steve is already dealing a new hand. SourcesStreetcar Named Desired by Tenesse Williams Northon Anthologywww.Sparknotes.comwww.classicnotes.com